PDF-Download All You Need to Know About the Music Business: Ninth Edition, by Donald S. Passman
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All You Need to Know About the Music Business: Ninth Edition, by Donald S. Passman
PDF-Download All You Need to Know About the Music Business: Ninth Edition, by Donald S. Passman
Wir zeigen wieder Sie eine vorgeschlagene zertifizierte Buch zu liefern. All You Need To Know About The Music Business: Ninth Edition, By Donald S. Passman ist eine, die Premium-Qualität Veröffentlichung zu lesen hat. Wenn zu lesen beginnen, werden Sie zunächst die Abdeckung sowie Titel des Buches sehen. Abdeckung wird sicherlich viel die Zuschauer zu gewinnen Führung zu erwerben. Und dieses Buch hat dieses Element. Diese Publikation ist nicht zuletzt das Aufwertungs Buch vorgeschlagen. Auch das Thema ist ähnlich mit anderen. Der Plan dieser Publikation ist viel auffälliger.
Über den Autor und weitere Mitwirkende
Donald Passman is a graduate of the University of Texas and the Harvard Law School. For many years he has practised law with the LA firm of Gang, Tyre, Ramer and Brown, where he specializes in the music and film industries. He represents many famous music clients.He lives in LA with his wife and four children, and plays guitar and five-string banjo.
Produktinformation
Taschenbuch: 608 Seiten
Verlag: Viking; Auflage: 9th edition (26. September 2019)
Sprache: Englisch
ISBN-10: 0241302064
ISBN-13: 978-0241302064
Größe und/oder Gewicht:
15 x 2,2 x 21 cm
Durchschnittliche Kundenbewertung:
4.1 von 5 Sternen
17 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 411.818 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Das Buch ist ein Klassiker. Eines der besten Bücher zu diesem Thema. Natürlich ist es hauptsächlich für den amerikanischen Markt und die Musikindustrie dort. Trotzdem finde ich es sehr lesenswert und interessant. Das Buch hat auf alle Fälle 4-5 Sterne verdient.Nun zum ABER: Leider ist das Buch ziemlich lädiert. Das heißt, das Buch hat im Hardcover und Umschlag verschiedene Beschädigungen, Macken und Dellen. Auf der Buch-bzw. Blätterseite ist ein langer und fetter Strich mit einem schwarzen Marker. Da die Umverpackung tadellos war, wurde diese, ich würde sagen mindestens B-Ware - eher Ausschuss, schon so verpackt und versendet. Traurig. Da fühlt man sich als Kunde schon etwas "veräppelt". Würde die Lieferung nicht mehrere Wochen dauern, hätte ich es selbstverständlich reklamiert und zurückgeschickt.
Wenn man in der Musikindustrie tätig ist oder selber Künstler ist, ist dieses Buch ein absolutes muss.Sehr empfehlenswert!
Ob zu Beginn der Traumkarriere oder als alter Hase im Geschäft, Passmann vermittelt sein endlos erscheinendes Verständnis auf einfache und sympathische Art und Weise, egal für wen
+ Informativ+ Alles was man im Musik Business wissen möchte+ Humorvoll geschrieben
bought it because the manager of chance the rapper recommended it.good investment!
Author Passman has created something of a journalistic feat: his book is an attorney's look at the mechanisms of the music industry-usually not a particularly fascinating subject-yet he's made it great fun to read. An LA-based music attorney since the seventies, Passman is boyishly enthusiastic about his subject, and says the book is an outgrowth of his professional need to explain the basic workings of the industry to his artist clients. Though he says he is not writing technically (as if for fellow attorneys), he has nevertheless included virtually all of the checkpoints, or "deal points," that come up in contract negotiations today. The point of view being marketed here is that it pays to be an informed artist or songwriter, even if you think you don't care that much about the business side. Passman's "blurbs," or endorsements, are almost overkill: the likes of artist Don Henley, producer Quincy Jones, and longtime Warner Communications Chairman Mo Ostin. In the light of all this prestige (even the publisher, Prentice Hall, is an old-guard New York house), I couldn't believe that beneath Joe Smith's back- cover endorsement, Capitol-EMI, of which Smith was chair, was misspelled as "Capital." Minor flaw, all things considered, and happily not a predictor of sloppy work inside. Passman is an excellent choice for either personal learning or university-level classroom study. On first hearing, the title seems a bit arrogant, but Passman just about does cover it all. The 1994 second edition is virtually identical to the first, except for a welcome expansion of the opening "First Steps" section, and a detailed explanation of legislation the entire music industry lobbied long and hard to achieve: the Audio Home Recording Act of 1992 (the "home taping" legislation). Passman explains the projected flow of revenues from this act back into the music industry: one third to songwriters and publishers, and two thirds to record companies. Among the nineties books on the business of the music industry, this is one of the very best. Ron Simpson, School of Music, Brigham Young University. Author of MASTERING THE MUSIC BUSINESS.
I had been meaning to read this book for a while by the time I actually got around to it, and now I wished I hadn't waisted so much time before I did. This has to be one of the most valuable books (if not the most valuable) about the industry I have ever read (and, let me tell ya', I've read a lot of books!). I expected a "glossing over" of many topics because of the fact that the book is not very long and is very comprehensive in its subject matter, but, low-and-behold, I was amazed to find so much in-depth information regarding each individual topic, actually more about certain issues than I have managed to attain reading separate works devoted wholly to any one subject covered in the book. Mr. Passman's great use of wit keeps this book very entertaining for those of you who would rather not have yourself associated with anything that may be deemed "educational" (and his years of experience are there to serve those of you who won't associate with "humor", you know who you are). I highly recommend this informative, well written book to anyone who has their sights set on any area of the music business, and even for those who don't, it can make a lot of sense out of many of the VH1 "Behind the Music" episodes.
I am an artist about to release an album. Even before I started venturing into self-producing my first album along w/ my producer/friend , I was reading this book nite & day & I even lent it to my manager since we're really not that knowledgeable in the business yet. It really is a must for someone to treat the music industry as business or else , if u don't know how to play the game, the ins-outs of this industry - u must read this book or else you're gonna sink. Donald is an industry professional whom I believe wants to share his knowledge to struggling & aspiring artists/musicians/managers/etc. like me. I highly recommend this book to new artists & those who have plans of crossing over the US music industry. Even if I'm a Filipino living in Manila , the knowledge that this book has given me is worth so much.
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